Category Archives: Uncategorized

Bruce Springsteen ‘Western Stars’ Mixed by Tom Elmhirst at Electric Lady

Springsteen albums are usually grand affairs but he’s never made one that sounds so vast and luxurious throughout. Paired with the down-and-out characters who haunt its mountains and canyons, the purposefully anachronistic arrangements—recalling jukeboxes, FM radios, sepia-toned montages, faded memories—carry an elegiac tone. It’s been a long time since popular music sounded like this, and it ties these characters to an era as much as a place.

Read the full article here.

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Paste: Weyes Blood No.1 Album of 2019

Electric Lady Producer Management’s Jonathan Rado: Titanic Rising doesn’t feel blissfully adrift. Instead, it feels like Mering knows exactly where she’s going. You can hear it in the robust string sections of album opener “A Lot’s Gonna Change” and the sturdy backbone-beat of “Andromeda” and the sentiments of “Wild Time,” a patient ambler with a ‘70s soft-rock vibe (including a hint of “Landslide”) and a plainspoken bridge: “Everyone’s broken now,” Mering sings, “And no one knows just how we could have all gotten so far from truth.”

Read the full article here.

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FKA Twigs Returns with new song “Cellophane” recorded in-part at Electric Lady

A still from FKA Twigs’ “Cellophane” video.

Discussing the process of creating “Cellophane,” executive produced by Noah Goldstein, FKA twigs said in a statement, “throughout my life I’ve practiced my way to being the best I could be, it didn’t work this time. I had to tear down every process I’d ever relied on. go deeper. rebuild. start again.”

Read the full article here.

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Cage the Elephant New Album ‘Social Cues’ Mixed by Tom Elmhirst at Electric Lady

Matt Shultz could make it through only one take. The lead singer of the Kentucky rock band Cage the Elephant was recently in the studio recording “Goodbye,” a John Lennon-inspired ballad Shultz wrote for his wife as their seven-year relationship was ending. Shultz delivered it lying on the studio floor. Afterward, he walked out and canceled the next two weeks of work.

Read the full article here.

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Watch Thom Yorke Solo Sessions at Electric Lady Studios

“Filmed on November 19th at the historic Electric Lady, the clip shows Yorke playing “Bloom” as a simple blues. With just his bare voice (“So why does this still hurt?/Don’t blow your mind with why”), his jazzy piano chords, and some light feedback burbling in the background, you can hear the heart of the song more clearly than ever. It’s a gorgeous act of reinterpretation, the kind of performance that can make you rethink your entire understanding of a song.”


Click to view full story here

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Watch Miley Cyrus, Mark Ronson, Sean Ono Lennon Perform ‘War Is Over’ at Electric Lady


Following their performance on ‘Saturday Night Live’ last weekend, Miley Cyrus, Mark Ronson and Sean Lennon celebrate the season with a heartfelt update of John Lennon and Yoko Ono’s “Happy Xmas (War Is Over).” All three unite again in Vevo’s exclusive performance of the holiday classic, shot at the iconic Electric Lady in New York City.

Click here to view full post.


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Forever Mariah: An Interview With an Icon At Electric Lady Studios

It takes a village to promote an album, and on the Tuesday before Thanksgiving, Mariah Carey has at least 10 people with her when she arrives at Electric Lady Studios in New York. There is a makeup person and a hair person, a manager and publicists, a lawyer and what might be a bodyguard, and an entire other group of people who are hard to place. Mariah is tall in high-heeled black boots and perfectly done up, with hair as straight as I’ve ever seen hair be, two hoop earrings that shimmer from her ears, and a megawatt smile. Everyone is in good spirits, like a winning sports team in the locker room at halftime

Read the full article here.

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Arctic Monkeys Record Cover of Stephen Fretwell’s “–” at Electric Lady Studios

Arctic Monkeys released their latest album, Tranquility Base Hotel & Casino, back in May. Since then, they’ve covered Elvis Costello, the White Stripes, and the Strokes. Today, they share a cover of English singer-songwriter Stephen Fretwell’s “-” from his 2004 album Magpie for Spotify Singles. Their version is called “–” which they recorded at Electric Lady Studios in New York.

Read the full article here.

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David Bowie’s “Beat Of Your Drum” Reworked at Electric Lady Studios

Next month, the latest volume in the exhaustive David Bowie box set collection is being released. Loving The Alien (1983-1988) contains all of his studio and live albums from that period, plus a new production of the 1987 album Never Let Me Down, his final solo album of the ’80s. The 2018 version of the album was recorded by producer Mario McNulty at Electric Lady Studios in NYC with some longtime Bowie collaborators, plus string arrangements by Nico Muhly and a guest appearance from Laurie Anderson.

Read the full article here.

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Spotify, Berklee & Electric Lady Studios Launch EQL Studio Residency Program for Female Producers, Engineers


Spotify, in partnership with Berklee College of Music and Electric Lady Studios, has announced that it will be launching the Equal (EQL) Studio Residency Program for emerging female producers and engineers.

​The program, which will begin on Oct. 1, will offer residencies in three different cities: New York, Nashville and London. During these paid six-month residencies, one participant in each city will work hands-on in a professional studio environment and gain access to invaluable networking and mentoring opportunities to further their career.

Read the full article here.

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How the Soulquarians Birthed D’Angelo’s ‘Voodoo’ and Transformed Jazz


The Soulquarians didn’t set out to revolutionize the pulse of modern jazz. Maybe it’s an overstatement to imply that they did. But there can be no doubt that the slouchy, loose-jointed, atmospherically humid funk that they alchemized in the studio — specifically, Electric Lady Studios, in Greenwich Village — had a reach well beyond the scope of neo-soul, the inexact genre coalescing around them. A considerable number of young jazz artists were paying close attention to what they were doing, at any rate. A few even got in on the ground floor.

For a handful of years straddling the turn of the century, the Soulquarians treated Electric Lady as a clubhouse — a perpetual hang unburdened by the usual ticking clock of the recording studio.

Read the full article here.

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How David Bowie’s Biggest ‘Disappointment’ Became a Posthumous, Reworked Album

Born from David Bowie’s desire to re-record the 1987 LP that he called “a bitter disappointment,” the seeds of this new reimagining were first sown in 2008 when Bowie asked producer/engineer @mariojmcnulty to remix the track ‘Time Will Crawl’ and record new drums with longtime drummer Sterling Campbell along with strings at Electric Lady Studios. The track was issued on the iSelect compilation to much acclaim and, in the notes for that record, David remarked ‘Oh, to redo the rest of that album.’ ⚡️ In early January of this year, McNulty and musicians again entered New York’s Electric Lady Studios to fulfill Bowie’s wish to remake “Never Let Me Down,” which now features a guest appearance by Laurie Anderson on “Shining Star (Makin’ My Love).” The 2018 reworking also boasts “newly ‘remixed’ artwork reflecting the album’s subject matter and features unseen images from the original cover photographic session from the archive of Greg Gorman. ⚡️ We love and miss you, David ⚡️

Read more about it on Rolling Stone here.

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Stevie Wonder and TONTO: The Synth Orchestra and Production Duo Behind His Pivotal Albums

“The most undersold part of Stevie’s legacy may be the collaboration with two producers, Robert Margouleff and Malcolm Cecil, and the pair’s massive synthesizer, TONTO (The Original New Timbral Orchestra).”

“With an instrument like TONTO you can’t write a line ahead of time, because until you get the sound up, you don’t know how it’s going to react with the other sounds. Everything was done sort of jazz fashion, it was all head arrangements… sometimes some of the lines would be suggested. That horn line [from “Superstition] I was singing it… and then Stevie started playing it. That was how we worked.”

Read the full article here.

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Electric Lady Producer Management: How Foxygen’s Jonathan Rado Became One of Indie Rock’s Most In-Demand Producers

But deep within the distinctly uncool area that produced the Valley Girl stereotype, Foxygen multi-instrumentalist Jonathan Rado slowly began to leave his mark on the overall sound of 2010s indie rock, one tape recording at a time. Now, only four years after he bought a compressor and used it completely wrong throughout the entirety of Foxygen’s …And Star Power — he had heard that Todd Rundgren used to press all of the buttons in at the same time — Rado has become one of the most in-demand producers in his genre, pumping out acclaimed records from Father John Misty, The Lemon Twigs, Whitney, Alex Cameron and more, most of which hail from his Woodland Hills garage.

Read the full article here.

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Patti Smith Performs With Bruce Springsteen, Michael Stipe At ‘Horses’ Documentary Premiere

To mark the fortieth anniversary of Horses, her 1975 debut album, Smith recorded a new live version of it at New York’s Electric Lady Studios before an in-studio audience and then hit the road to perform the album in full for packed theaters around the world. Director Steven Sebring, who worked with Smith and company on his debut documentary, 2008’s Patti Smith: Dream of Life, joined their caravan, and Horses: Patti Smith and Her Band hovers over a two-night stand in January 2016 at the Wiltern in Los Angeles.

Read the full article here.

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The Kills: Live At Electric Lady is officially on sale in collaboration with Record Store Day, available only at participating independent record shops throughout North America, Europe, Australia, and Japan.

The live album was recorded on the 15th anniversary of the band’s first ever performance together. Playing to a small, invitation-only crowd inside Electric Lady’s Studio “A,” Allison Mosshart and Jamie Hince deliver a snarling, powerful 10 song set. 

Click here to purchase the album.

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As Hendrix would make each new recording, it would be logged and stored at his own Electric Lady Studios, which he opened in August 1970. “Electric Lady had this enormous wall of closets, and most of them were full of tapes, and only Jimi and I had the keys,” Kramer recalls. “We’d say, ‘Let’s get this pile out and go through it.’ He had these legal pads, and as we listened he would write down precisely what the instruments should be doing.” But before they could finish the album, Hendrix died while on tour in Europe that September.

Even though Electric Lady was open for only a short time, Kramer has vivid memories of working on music there with Hendrix. The sessions would be like performances in and of themselves: Hendrix would be handling the faders for the guitar and vocals, and Kramer would be leaping around the console trying to keep it all together. “After we faded down, we’d collapse laughing,” he says. It was that experience, both having fun with Hendrix and learning what he wanted from a mix, that has provided the template for how Kramer has mixed all of Hendrix’s posthumous releases.

Read the rest of the article here.

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Billboard Magazine had a chat with Zayne Malik while he was working inside our Studio A:

“There aren’t many places in New York, or anywhere else for that matter, that feel as cocooned from the ­outside world as the live room in Electric Lady’s Studio A. Designed to Jimi Hendrix’s ­specifications, the curvy space is stocked with shiny vintage gear, faded Persian rugs and a cosmic, wall-sized mural. On this Sunday night in September, a little after 9 p.m., the room’s sole occupant is a slight, ­strikingly handsome 24-year-old, whose unique ­combination of global fame and acute anxiety can make life outside of insulated creative oases like this one ­challenging, and who is currently kicked back on an overstuffed leather sofa, pulling ­meditatively from a joint and watching the smoke curl toward the sound-­deadened ceiling.”

Read the full article here.

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Recently in an interview with Mitch Lafon, Gene Simmons of KISS told the story of producing one of Van Halen’s first demos at Electric Lady Studios:

“I discovered Van Halen playing in a club and signed them to my Man of 1,000 Faces production company, flew them to New York, produced 15 songs at Electric Lady Studios.

And then when I got too busy I tore up the contract and I said, ‘You guys are free. I gotta go back on tour, and if I have time at the end of the tour I’ll go shopping for a deal for you. I can’t ethically, personally, hold on to you guys while I’m off on tour.’

So I did the right thing. And the guys, of course, got signed right away. And in return, the brothers Van Halen were kind enough to appear on three songs that I wrote when we came back from Japan in 1978.”

Listen to the full interview here.


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Billboard Magazine has included Electric Lady Studios in it’s list of top recording studios of 2017.


From Billboard:

“Founded by Jimi Hendrix in 1970, the Big Apple landmark still operates in the heart of Greenwich Village as one of the oldest working studios in the city due in part to its cool aesthetic, which partner/GM Lee Foster describes as “late-’60s futurism meets midcentury modern.” Stevie Wonder and Blondie are just a few of the acts that have recorded at the location, while Foster’s stewardship has helped reawaken the space in recent years with artists like Ryan Adams and St. Vincent gracing its rooms.”

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We are proud to announce the release of Fleet Foxes new live 10″ vinyl EP called ‘The Electric Lady Session,’ out on Black Friday, November 24 at selected independent record stores. The EP contains four songs recorded live during their WFUV session here in Studio A. To find a participating independent record store near you, visit Thanks to Nonesuch and WFUV for making this happen.

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Charlotte Gainsbourg’s album “Rest,” recorded at Electric Lady, has garnered Pitchfork’s coveted Best New Music accolade. From Pitchfork:

“Songs like these affirm life, even in the face of death. They transform personal suffering into public spectacle. Few things are more terrifying than exposing our bruises to others, knowing that they could misunderstand, or prey on our vulnerability. On Rest, Gainsbourg doesn’t just reveal her pain, but monumentalizes it, lays out a red carpet, and invites people to watch. Her refusal to be sequestered by grief is, quite literally, a death-defying feat.”

“Rest” is the fourth project recorded here this year to receive Pitchfork’s praises, along with ‘Melodrama’ by Lorde,  ‘A Deeper Understanding’ by The War On Drugs, and ‘Crack-Up’ by Fleet Foxes. Read the rest of the Pitchfork review here.



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Annie Clark talks about her upcoming St. Vincent album, recorded in part here at Electric Lady Studios, with The New Yorker:

“Most days, she got up at sunrise, took a Pilates class, and then headed to Electric Lady to work past sundown. She had dinner in the studio, or else alone at a nearby restaurant, or in her room. A book or an episode of “The Handmaid’s Tale,” and then early to bed.”

Go here for the rest of the article.

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Fleet Foxes Announces New Album “Crack-Up”

Fleet Foxes has announced the release of their new album “Crack-Up”, produced by Robin Pecknold and bandmate Skyler Skjelset, which is out June 16th via Nonesuch Records. Much of the album was recorded here in Studio A and D. Read more about the upcoming release here or enjoy their brand new lyric video below:

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Ryan Adams Records at Electric Lady Studios in the Newly Refurbished 1947 Voice-O-Graph

Ryan Adams announced in an Instagram video that he will be hiding “golden ticket”-style vinyl recordings in box sets of his new album “Prisoner”, available for purchase February 17th. According to his website, “12 randomly selected box sets will contain a one-of-a-kind solo acoustic 7″ of one of Prisoner’s 12 tracks recorded direct-to-vinyl in the vintage Voice-O-Graph booth at Electric Lady Studios. Only one single of each song exists and only one run of the Prisoner: End of World Edition [box set] will ever be pressed.”

Read more about this and see the video here.


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“Cry of Love,” (Track Records) was released 45 years ago, March 1971: a posthumous release composed mostly of songs he recorded in 1970 with Eddie Kramer at his new studio, Electric Lady, as sketches for what was to be his follow up to “Electric Ladyland.”

The Cry of Love gathers the final essential recordings of one of rock’s true giants and reflects his legend at the same time it faithfully expands it” – Ultimate Classic Rock. Read full article here.


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HBO’s “Vinyl,” created and produced by legends Martin Scorsese, Mick Jagger, Terence Winter, and starring Bobby Cannavale and Olivia Wilde, shoots and records original music at Electric Lady Studios. Newsweek says:

“Scorsese set the tone in Vinyl’s quest for authenticity. Location manager Kip Myers used many historic buildings, shooting at the Brill Building (a renowned home to music industry), the Chelsea Hotel and Electric Lady Studios, which guitar shaman Jimi Hendrix built. Vinyl also recorded its original music there.”


Catch the premiere of Vinyl on HBO February 14 at 9pm EST.

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David Bowie’s first ever no. 1 single in the US, “Fame”, was written and recorded at Electric Lady in 1975. Today, Bowie’s Blackstar has become his first ever no. 1 album (US) on the Billboard 200 chart and was mixed by Tom Elmhirst at Electric Lady in 2015. Congratulations, David, and thank you for bringing your genius to our door for both achievements.

Billboard 1975 - Fame


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Adele’s historic “25” sells 3.8 million copies in its first week, destroying the previous record for first week album sales and representing 41% of total albums sold in the U.S. last week.  Nine songs, including the hit single “Hello” were mixed by Tom Elmhirst in Electric Lady’s Studio “C”.

Adele - 25

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On November 23, Jose Cuervo celebrated the launch of their new tequila, “Reserva de la Familia’s The Rolling Stones Tour Pick Collector’s Edition” in our Studio A. The limited edition bottle honors the pivotal role Jose Cuervo played in fueling The Rolling Stones’ infamous 1972 North American tour, which was dubbed the ‘Tequila Sunrise Tour’. Legendary photographer Bob Gruen took the stage to reminisce and offer an inside look at what it was like to be on one of the most publicized tour’s of all time. To read more about the night head on over to The Examiner.


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“D’Angelo said, ‘We’re going to Electric Lady…it has the blessings of the spirits. We have to go there. It’s only right.'”

From 1996-2002, the Soulquarians, also known as Questlove, D’Angelo, Common, Erykah Badu, James Poyster, J. Dilla, Bilal, Q-Tip, Mos Def, and Talib Kweli, took up residence in our studios for what would prove to be a defining period in music. Read more about that magical time @ Red Bull Music Academy.


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Ryan Adams Rules

Ryan Adams brought down the house in Studio A Live Tuesday night in celebration of the release of  his new self-titled record “Ryan Adams”. His interview, like the man himself, is one we’re not likely to forget. Catch the intimate discourse on pinball and record-making today, September 12th, or look for it on the archives at


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Interpol || El Pintor

El Pintor is the fifth studio album by American rock band Interpol. It was released on September 8, 2014 internationally and on September 9, 2014 in North America, through Matador Records. Self-produced by the band and recorded at Electric Lady Studios and Atomic Sound in New York City, the album was engineered by James Brown, who is known for his work for Foo Fighters, and mixed by Alan Moulder, who is known for his production and mixing work for My Bloody ValentineThe Smashing Pumpkins and Nine Inch Nails.


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Lana Del Rey

Lana Del Rey’s sophomore album, ‘Ultraviolence’, features tracks “Cruel World,” “Pretty When You Cry,” and “Guns and Roses,” co-produced by Lee Foster for Electric Lady Studios; Recorded in Studio “A” with Electric Lady Chief Engineer, Phil Joly, and Assistant Engineer, Vira Byramji.  


                                                                                                                                                                                                                                                                                                                                                                                                                                                      “She uses the word to sing about physical aggression, but the ultimate violence seems like it would be erasure, silencing, negation, the stuff you don’t hear about because it’s an absence by nature…. That negative space is its own kind of violence. Lana Del Rey steps into the shadows it leaves. She has power there, whispering old secrets, giving voice to characters who never got to speak for themselves… She is exactly the villain our history needs.”

Read more here.


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Coldplay || Ghost Stories


Electric Lady is proud to have participated in the making of Coldplay’s sixth studio album, ‘Ghost Stories.’ Produced by Paul Epworth, tracking for portions of the album took place in Studio A and our API tracking suite during July of 2013. 




Read more about Coldplay’s fourth-in-a-row # 1 album here.

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John Mayer Trio with Chick Corea & Wallace Roney

Singer-songwriter and guitarist John Mayer, bassist Pino Palladino and drummer Steve Jordan teamed up with legends Chick Corea and Miles Davis prodigy, Wallace Roney, in Electric Lady’s Studio “A”.

To listen to track “Little Sur”::: click here.
To listen to John and Chick talk about jamming, the nature of improvisation, and what happens when you throw the rules out the door::: click here.

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Arcade Fire

Electric Lady hosted tracking and mixing sessions for Arcade Fire’s fourth studio album, Reflektor — produced by James Murphy and released today. Mixed entirely in Studio “C” by resident friend and client, Tom Elmhirst (with additional engineering by Ben Baptie), the album marked our first-ever sessions with the band and re-introduced David Bowie to our facility for his feature on the title track.


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RIP Lou Reed

“The music is all. People should die for it. People are dying for everything else, why not the music.”

— Lou Reed

Lou Reed Posed In AmsterdamReed recorded the albums Sally Can’t Dance (1974) and Coney Island Baby (1975) at Electric Lady. In 2012, he returned to Electric Lady for what we now know was his last recording, as featured on Metric’s “Wanderlust” from their 2012 release Synthetica.

Thank you, Lou.  You are forever in our hearts.  You are forever in our ears.

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U2 in Electric Lady Studio “A”

This summer U2 recorded their version of “This Is” for Aslan singer, Christy Dignam in the intimate setting of Electric Lady Studio “A.”  The filmed performance was later premiered for a live audience at “A Night for Christy” – a fundraiser event to assist Dignam with the medical treatment needed to fight his rare form of blood cancer.

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Electric Lady is no stranger to musical greatness, but when the elusive genius we all know as Prince showed up unannounced, we nearly lost composure.  There have been many invitations over the years to draw the man to the studio, but, true to form, Prince appeared on our doorstep on a random Saturday afternoon, plugged in, and gave us an unforgettable two days in Studio “A”.  Prince, if you’re reading this…please come back often.



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