Electric Lady Producer Management’s Jonathan Rado: Titanic Rising doesn’t feel blissfully adrift. Instead, it feels like Mering knows exactly where she’s going. You can hear it in the robust string sections of album opener “A Lot’s Gonna Change” and the sturdy backbone-beat of “Andromeda” and the sentiments of “Wild Time,” a patient ambler with a ‘70s soft-rock vibe (including a hint of “Landslide”) and a plainspoken bridge: “Everyone’s broken now,” Mering sings, “And no one knows just how we could have all gotten so far from truth.”

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